Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] review

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made out in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for the unrest? Katniss. And what's worse, President Snow has caused it to be clear that no person else is protected either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one in the most brought up books of the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said through the start that The Hunger Games story was intended as a trilogy. Did it actually end the best way you planned it from the beginning?

A: Very much so. While I didn't know every detail, of course, the arc in the story from gladiator game, to revolution, to war, to the eventual outcome remained constant through the writing process.

Q: We understand you worked about the initial screenplay for a film to be based on The Hunger Games. What is the biggest distinction between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you're adapting a novel in to a two-hour movie you can't take everything with you. The story has to be condensed to match the modern form. Then there's the question of how best to take a novel told in the first person and offer tense and transform it into a satisfying dramatic experience. In the novel, you never leave Katniss for a second and are privy to any or all of her thoughts so you'll need a way to dramatize her inner world and to generate it feasible for other characters to exist beyond her company. Finally, you have the challenge of the way to present the violence while still maintaining a PG-13 rating to ensure that your core audience can view it. A lot of things are acceptable over a page that may not be on the screen. But how certain moments are depicted may ultimately be within the director's hands.

Q: Are you able to consider future projects while working on The Hunger Games, or are you immersed within the world you get lucky and be currently creating so fully who's is simply too difficult to think about new ideas?

A: We have a few seeds of ideas going swimming in my head but--given very much of my focus remains on The Hunger Games--it will probably be awhile before one fully emerges and i also can commence to develop it.

Q: The Hunger Games is an annual televised event where one boy the other girl from each with the twelve districts is forced to participate in a very fight-to-the-death on live TV. What can you imagine the selling point of reality television is--to both kids and adults?

A: Well, they're often setup as games and, like sporting events, there's an fascination with seeing who wins. The contestants are usually unknown, which means they are relatable. Sometimes they've got very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I've found very disturbing. There's also the opportunity for desensitizing the audience, so that after they see real tragedy playing out on, say, the news, it does not contain the impact it should.

Q: Should you were forced to compete inside Hunger Games, so what can you believe your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I accustomed to be trained in sword-fighting, I guess my best hope would be to obtain hold of an rapier if there is one available. But reality is I'd probably get in regards to a four in Training.

Q: What can you hope readers should come away with when they read The Hunger Games trilogy?

A: Questions about how elements with the books might be relevant in their own lives. And, when they are disturbing, the things they might do about them.

Q: What were some of your favorite novels when you were a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord from the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss a single more Hunger Game, but now it can be for world control. While it is a clever twist on the original plot, it indicates that there is certainly less focus around the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life in a less vibrant Katniss by showing her despair both at those she feels accountable for killing and and also at her own motives and choices. This is surely an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn in the rebels along with the victim of President Snow, who uses Peeta to make an attempt to control Katniss. Peeta's struggles are very well evidenced as part of his voice, which goes from rage to puzzlement to a unsure come back to sweetness. McCormick also makes all the secondary characters—some malevolent, others benevolent, and a lot of confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but also respects the individuality and different challenges of every with the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.